![MoMA | MoMA's Jackson Pollock Conservation Project: One: Number 31, 1950—Characterizing the Paint Surface Part 2 MoMA | MoMA's Jackson Pollock Conservation Project: One: Number 31, 1950—Characterizing the Paint Surface Part 2](https://moma.org/wp/inside_out/wp-content/uploads/2013/03/pollock7combine5.jpg)
MoMA | MoMA's Jackson Pollock Conservation Project: One: Number 31, 1950—Characterizing the Paint Surface Part 2
![Jackson Pollock's Number 1A, 1948; or, How Can We Be Abandoned & Accurate at the Same Time? - TERRAIN GALLERY Jackson Pollock's Number 1A, 1948; or, How Can We Be Abandoned & Accurate at the Same Time? - TERRAIN GALLERY](https://terraingallery.org/wp-content/uploads/2015/08/pollock-number-1-1948.jpg)
Jackson Pollock's Number 1A, 1948; or, How Can We Be Abandoned & Accurate at the Same Time? - TERRAIN GALLERY
![Jackson Pollock's Number 1A, 1948; or, How Can We Be Abandoned & Accurate at the Same Time? - TERRAIN GALLERY Jackson Pollock's Number 1A, 1948; or, How Can We Be Abandoned & Accurate at the Same Time? - TERRAIN GALLERY](https://terraingallery.org/wp-content/uploads/2015/08/pollock-number-1A-1948-850px.jpg)
Jackson Pollock's Number 1A, 1948; or, How Can We Be Abandoned & Accurate at the Same Time? - TERRAIN GALLERY
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Press Center Christies RELEASE CHRISTIE'S TO OFFER JACKSON POLLOCK'S RED COMPOSITION IN OCTOBER 6 EVENING SALE IN NEW YORK
![TIL Jackson Pollock's painting One: Number 31, 1950 exemplifies at a grand scale the radical “drip” technique that defined his Abstract Expressionist style. Moving around an expanse of canvas laid on the TIL Jackson Pollock's painting One: Number 31, 1950 exemplifies at a grand scale the radical “drip” technique that defined his Abstract Expressionist style. Moving around an expanse of canvas laid on the](https://external-preview.redd.it/NYQJEe6Rw5lbwLeedyoqQHkUXRFQ8OPXeMyIgxVkoNM.jpg?width=640&crop=smart&auto=webp&s=00136813bbae7746f36b70d2ba2cf6e7e7ee89e4)
TIL Jackson Pollock's painting One: Number 31, 1950 exemplifies at a grand scale the radical “drip” technique that defined his Abstract Expressionist style. Moving around an expanse of canvas laid on the
![Jackson Pollock's Number 1A, 1948; or, How Can We Be Abandoned & Accurate at the Same Time? - TERRAIN GALLERY Jackson Pollock's Number 1A, 1948; or, How Can We Be Abandoned & Accurate at the Same Time? - TERRAIN GALLERY](https://terraingallery.org/wp-content/uploads/2015/08/pollock-action-painting-600px.jpg)